How writing a song about Elena Delle Donne brought out John Kruk's emotional side

How writing a song about Elena Delle Donne brought out John Kruk's emotional side

Phillies fans think of John Kruk as the loveable first-basemen-turned-broadcaster known for calling it how he sees it. But who among us knew Kruk has a sensitive side that is brought out through the power of music?

On the second episode of his Krukcast podcast (subscribe here), Kruk talks about his passions and hobbies away from baseball. Golf has filled his desire for competition and has turned into an "obsession." He plays up to 4-5 times a week when he can. If he doesn't get out on the golf course regularly, it affects him. So much so that his family went to Disney and bought him a Grumpy t-shirt to wear when he hasn't played in a while.

But golf as a hobby for a former baseball player isn't all that surprising. What former pro athlete doesn't golf? It's Kruk's more recently discovered passion that is unique.

Kruk has found a calling for music that has taken him to creative places and brought out his emotional side.

He credits it to his West Virginia roots and some friends he's recently met.

"Eight or nine years ago I met these guys back in West Virginia who I had a lot in common with from the get-go," Kruk says. "The first time I ever met them it was like I’ve known them forever. They’re third or fourth generation musicians in West Virginia and are one of the most popular country bands in the State -- the Davisson brothers, Chris and Donnie."

Kruk found himself doing a local television show and the Davisson brothers were the musical guests. They hung out backstage where the guitars were strumming.

"Of course anybody who has a guitar from West Virginia knows how to play 'Almost Heaven.' Everyone who lives in West Virginia pretty much knows the words to 'Almost Heaven.' They're playing and they ask me to sing with them. So I'm singing. Next thing I know they're teaching me how to play it on the guitar and it just hit me. As soon as it happened it was just like, 'Wow. This is really, really cool.'"

Kruk teamed up with the Davisson brothers on some tunes for ESPN and his Baseball Tonight show. Then he started to dabble in doing some writing of his own.

But how in the world did John Kruk come to write a song about Delaware basketball legend Elena Delle Donne?

"An interesting thing happened. I'm on Twitter, not a lot, just enough. I read a story about Elena Delle Donne who is arguably the greatest female basketball player in the world. She went to UCONN for a day or so, ended up leaving because she wanted to come home. She has a sister Lizzie with special needs. She wanted to move back so she ended up going to Delaware."

"When I read her story about her and her sister, it just hit me. There's a song there to be written. So I called my buddies the Davisson brothers. I said, 'Man, we gotta write this song.'"

They all decided it would be a fun thing to write despite it being a very serious subject.

Kruk then reached out to Elena and her brother Gene and they started an email correspondence about what Lizzie meant to them. Lizze was born deaf and blind, with cerebral palsy and autism.

"Elena swore that her 6-foot-5 size, she got everything Lizzie didn't get and so she plays and lives for Lizzie," Kruk says. "When I read the story, it just hit me, how people become who they are because of circumstances in their life."

And Kruk needed to write a song about it.

Fast forward to MLB's winter meetings in Nashville where Kruk found himself in his hotel room with songwriter Ronnie Bowman. They read through the emails from the Delle Donnes and started writing.

"It turned out beautiful," Kruk said. "When we got done, I felt like I was in a room with a bunch of rock stars. [Ronnie] stood up and he threw down his guitar and he said, 'Boys, we got a No. 1 hit!'"

So they wrote a potential hit song but they had nobody to sing it. This was the hard part.

"We have to find someone who is up and coming, has a powerful voice; we all agreed it had to be a female because the song is about the love of two sisters."

Again, Twitter proved to be helpful (which is just amazing).

"A young lady followed me. I listened to her music. I listened to her sing and I thought maybe she could be the one," Kruk says.

And she just so happened to be from Philadelphia.

The singer was Audra Mclaughlin who was on Season 6 of The Voice and was on Team Blake.

"I've met with her a couple times here at the ball park. Her dad said, 'when she played that song, they both cried because it's a very emotional song.' I know people are saying, 'John Kruk and emotion?!' I've never been emotional until I had kids."

The goal now is to get Audra down to Nashville to get the song recorded and released in order to, of course, propel her on to stardom.

As for Kruk? He doesn't want you to think differently of him because he's got a soft side. He contains multitudes. 

"I blame the Davisson brothers for this because they brought this out of me."

"When I'm doing games that sensitivity goes out the window and I become that moronic ball player that lived and breathed everything Larry Bowa told me."

"I blame the Davisson brothers for being emotional and I'm gonna blame Larry Bowa for being that say-whatever-comes-to-your-mind type thing regardless of feelings."

Listen to the whole podcast below and subscribe here.

Markelle Fultz on 'Trust the Process': 'I thought I came up with it'

Markelle Fultz on 'Trust the Process': 'I thought I came up with it'

The Process. What does it even mean at this point?

Some actually believe it has lost all of it's meaning. Others believe the Process will never end. It's also a nickname Joel Embiid gave to himself. And now it's even a beer.

Whatever you think of the slogan mostly attributed to the Sam Hinkie-era Philadelphia 76ers, "Trust the Process" has become a rallying cry of sorts for the team's fans.

Be patient, do things the right way, and results will come.

That's a sentiment projected No. 1 overall pick in tonight's draft, Markelle Fultz, has had to ascribe to his entire life. He got cut from his varsity team as a sophomore at Dematha Catholic, so he needed to have faith in a process.

In fact, speaking at the NBA Draft media availability on Wednesday, Fultz said that for a while he thought he came up with the slogan long before the Sixers ever did.

"I've been saying 'trust the process' because -- I didn't even know about Philly -- but me, I got cut from JV so, staying at the same high school, the big thing we used to say back home was to 'trust the process' and not transfer schools," he said. "I didn't really know about the saying 'trust the process' with Philly until maybe my senior year heading into college. I saw the tweets about it and all that."

"I thought I came up with it at first," Fultz said.

And maybe he was right? Who knows. It doesn't really matter. As long as the Process is trusted, I suppose.

‘The Process’ was not what you thought it was

‘The Process’ was not what you thought it was

The Sixers traded for the first pick in the NBA draft, and Markelle Fultz will join Joel Embiid, Dario Saric and Ben Simmons to form arguably the most exciting young nucleus in pro basketball. Yet, four years after it started, people are still talking about this concept known as “The Process.” Did it work? Is it premature to celebrate? Was Sam Hinkie right all along?

Worse still, I’m quite certain nobody knows what “The Process” is at this point. Because it was a lot of things to a lot of people, but it was never “lose and collect assets until a championship occurs organically, without spending in free agency or actively improving the roster through means other than winning the No. 1 pick through the draft lottery.”

For far too long, The Process has been bastardized and perverted by its detractors. The rebuilding of a non-playoff team took too much time for some tastes, though Sam Hinkie – allowed two-and-a-half years, officially – inherited an NBA franchise with zero stars, no money or draw for free agents, and missing multiple first-round picks. You would think the Sixers were the first team in professional sports to tank for multiple years based on the criticism, which always conveniently forgot or ignored the multiple teams obviously doing the same in any sport at any given moment.

So “Trust The Process” became a defense mechanism of sorts for supporters. At the same time, the phrase was appropriated by a bunch of used-car salesmen who turned it into a cheap merchandising ploy for T-shirts and hashtags. It wasn’t the Sixers who flaunted how bad they were to the rest of the league. It was the portion of the fan base that realized the game is rigged to some extent, and more losing now theoretically leads to far greater winning in the future – so until then, just have fun with being one of the worst organizations in sports.

Both sides lost their minds along the way. There was never anything special or unique going on with the Sixers under Hinkie. The Process was the exact same thing every team eventually goes through in professional sports. It amounted to, “We suck, we’re not going to be remotely good anytime soon no matter what we do, so how do we maximize this period of awfulness to come out best on the other end?”

There was nothing enjoyable about The Process, either. Hinkie let things get so bad, the Sixers had to endure a 10-win season, one of the worst in NBA history. It turns out critics were right about the negative consequences to keeping no meaningful veterans on the roster – see Jahlil Okafor swinging on people in the streets of Boston. And a GM adept at acquiring assets isn’t necessarily brilliant when it comes to talent evaluation and fostering working business relationships – see Okafor over Kristaps Porzingis in the 2015 draft.

The Process was a rebuild, plain and simple. That’s it. Hinkie screwed up along the way, certain elements of The Process were mismanaged in hindsight, and it rightfully cost him his job. Also, when assessing the situation honestly, the Sixers didn’t have any choice but to rebuild, and the moves that prolonged the rebuild were the right ones to make. About the only aspect of The Process that was different from other rebuilds was Hinkie admitting the Sixers’ goal in a given season might be something other than winning as many games as possible.

Did the Sixers’ rebuilding mode go to extremes when Hinkie was general manager? It certainly appeared that way on occasion. Was more made of it because the Hinkie was open about the fact that Sixers management wasn’t worried about winning as many games as possible in the immediate or short-term future? Definitely.

When Hinkie took over, the Sixers were a 34-win team that missed the playoffs, had salary-cap issues, couldn’t draw a star in free agency anyway, and were without two of its first-round picks. Knowing that, who wouldn’t have traded Jrue Holiday – the team’s “best” player – for Nerlens Noel with a torn ACL and a first-round pick, even while setting the Sixers up for an 18-win season? Having seen what a transformational player Joel Embiid, who wouldn’t take him with the No. 3 pick in the following year’s draft, even knowing he would miss two full seasons because of injury? And after watching Michael Carter-Williams’ regression from Rookie of the Year to fringe NBA talent, who wouldn’t have pulled the trigger on a first-round choice that has yet to convey, but proved to be a key piece in landing Fultz? Those were the three biggest decisions during the course of The Process.

Anybody who tells you the Sixers drafted certain players because they were injured (especially) or committed overseas is a nutjob. And anybody who thinks the Sixers should prolong the rebuilding for as long as possible to guarantee “The Process” is successful is also missing the point, which was to assemble a championship-caliber team. Four years after Hinkie started, that finally appears possible.

Somehow, the result of that outcome is senseless squabbling over whether Hinkie was right or wrong. There is also an assumption that how he operated the franchise for the first two years – when the situation was its bleakest – might hint at his prevailing tendencies for the next decade, as if he would never pull the trigger on a move up to get Fultz or wouldn’t try to add a quality free agent to this core. It’s such a silly mindset to truly believe that all Hinkie wanted to do is tear something down and would never, when the time was right, as it is right now for the Sixers, try to build it back up.

The Process wasn’t simply about losing and acquiring assets. It was making smart decisions, no matter what they meant in the immediate – decisions every pro sports team eventually must make, if not every year. Hinkie made some of the most influential decisions that put the Sixers in this situation, and deserves some credit for that. And Hinkie was also a flawed GM who made some decisions that ranged from shortsighted to terrible, and deserved what happened to him as a result of that as well.

Hinkie was right and he was wrong. The Process itself was neither. It was nothing more than branding for a necessary, painful rebuild.

I supported the Sixers’ rebuild from the beginning – and not because some supposed Silicon Valley prophet saw the future. The organization literally had no other option but to rebuild. It wasn’t even Hinkie’s doing. It was Doug Collins’ and Tony DiLeo’s, for checking off on the Andrew Bynum trade that gutted the roster and dispatched of yet another draft pick. To some extent, it was Ed Stefanski and Billy King for letting the franchise get to such a sad state in the first place.

The Sixers had no other path to restore prestige to the franchise besides dismantling the few parts that were left and rebuilding in the draft. Hinkie recognized that, was honest about his plan, and open to the harsh reality it would take time, more than some people were willing to wait. That was The Process – not tanking, not prolonging the rebuild, not anything unusual at all – and if it didn’t end with the selection of Simmons last year, it certainly came to a conclusion with the move up for Fultz.